The Royal Concertgebouw Orchestra revisits Hong Kong after 19 years with a programme of German symphonic works.

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With a humble appearance, the calmness of Kun Woo Paik stands great contrast with his splendid virtuosity. He performs all solo piano works of Maurice Ravel in one evening at the 2012 Hong Kong Arts Festival.

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Before forgetting everything about the concert let me write a short note on the Hong Kong Philharmonic Orchestra (HKPO) opening concert of Das Lied von der Erde.

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With AYO you can see devoted eyes fixed at the conductor, giving out their best with their instruments, with dedication unrivaled by many orchestras with a rostered season. You can expect an energetic, sometimes coarse but always committed performance of truly admirable standard.

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I seldom write about the concert I attended when I am not a lay audience. But for the recent concert of Mass in B minor, there are two reasons that I take the liberty to make an exception.

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This is perhaps the first release of the symphonies of the Polish symphonist Karol Szymanowski on DVD. At long last the mysterious, gigantic third symphony, also known as “Song of the Night,” is pictured.

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If Tristan und Isolde is seen as a spiritual journey of gradual separation from the real world and the lovers’ increasing isolation in their own and eventual reunion through death, Willy Decker’s production is a symbolic journey of two persons in total isolation, materially or spiritually.

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The unconventional repertoire offered by Franco-German Nicolas Altstaedt draws unusual cheers from a delighted crowd after an exotic and electrifying performance.

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Cameron Carpenter steals the listeners’ breath by his octopus hands traversing layers of keyboards and his feet dazzlingly dancing, literally, on a three-octave pedal of Hong Kong’s Rieger-organ.

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In the 3-hour long St. Matthew Passion, the Bach Collegium Japan shares how much they love Bach’s music.

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