If Tristan und Isolde is seen as a spiritual journey of gradual separation from the real world and the lovers’ increasing isolation in their own and eventual reunion through death, Willy Decker’s production is a symbolic journey of two persons in total isolation, materially or spiritually.

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I do not always complain about noise, applause or nuisance during a concert. Yet, I must look what Daniel Barenboim looks like in the video about the early applause at the end of Tristan und Isolde this Friday night.

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